That sketch has always been a favourite of mine and I have urged many newcomers and students to look out for it come the festive season.
It is in fact a true burlesque in the older British sense of it.
It is a burlesque of 'The Stripper' and is an invaluable example of the traditional genre before the genre was reinterpreted and the term skewed to be synonymous with striptease, in the USA.
Both Morcambe and Wise
and Carry On are perfect examples of where the British form of burlesque went after the Music Halls and Variety theatres faded out, and show how it translated to TV and film.
BP - in what way is the attraction to striptease hagiographical? Do you mean that people worship the sexy rather than the silly? Perhpas seeing burlesque striptease as a form of ritual in 'Goddess Worship'?
I am intrigued by your view on this...
As for people being attracted to the striptease end of burlesque, i think this is because it is relatively new - and certainly the glamorous theatrical striptease style is new to us in Britain. The burlesque striptease is quintessentially an American art form and like many US entertainments, has grabbed our attentions too.
The love of traditional burlesque however, is no less attractive - it has never died in Britain and our affair with it has yet to falter. 'Send up' and lampooning is the crux of our 'British sense of humour'. The irony is that the older satirical form is as popular as ever, it's just that the majority of people don't realize that it has had a name all along - 'burlesque'.
There is no doubt that the risque and bawdy elements of both forms are key to it's success in both the USA and UK. Nudge, nudge, wink, wink...
