In agreement with everything that has been previously stated.
I've spoken to a few MOBers off-forum about how in my first year performing burlesque; I was definitely blacklisted by certain promoters for being difficult. I wasn't, I was trying to change burlesque's attitudes towards things that are standard in the entertainments industry - like contracts, not cancelling on the day, providing adequate fees and appropriate dressing rooms.
Realising that the UK burlesque industry wasn't really ready for that; I started to take a back seat and leave my opinion out of things. If someone asked privately, I would advise and then step away. I also realised that promoters who won't deal with contracts aren't people I want to work for anyway.
Two years ago, I was involved with a venue that continually took the piss, booking performers on high fees; agreeing expenses then denying amounts on the night etc. I decided despite the regular (and to be honest very easy work) that Frayed Knot would no longer work for the venue.
It affected our projected income but I felt we had to make a stand. We explained this to the venue managers and were told we were idiots; would never work in that city again blah blah (I've since worked a futher 6 times there!) At the time, I was quite vocal in telling other burlesque performers to stay well away from the venue.
Anyway, that NYE, a circus friend of ours (I hadn't thought to tell the circus community!) travelled to that venue and was completely fucked over. Asked to perform in dangerous conditions, physically threatened by the doormen & manager (bearing in mind she is roughly the same size as me), barred from leaving without performing and told she would not be paid. Thankfully, she stood her ground and got her payment, even though they threw it on the floor for her to pick up. She just laughed.
Friend drives back from venue, straight to my house (early NYD!) and after raging for hours we draft a letter to Equity. I then told as MANY people as possible - I thought about posting on here and eventually posted a vague question on FB describing the venue's theme and if any performers were booked to get in touch.
That week I get a threatening phonecall from the venue; I just hung up and knew we were getting somewhere. Equity eventually gave up on the case as the venue went bankrupt HAHAHAHAHAHA! (ahem!)
So, cut forward to summer, the venue is somehow up and running and I get an email from an independant promoter wanting me to perform at their inaugral event. At this venue.
I very carefully explained my reasons for blacklisting the venue; and also pointed out it would be difficult to book additional performers. Fantastically, the promoter said she wanted to work with FK so much, she would CHANGE THE VENUE! Instead, the event went ahead in a nearby city, sold out and I'm delighted to say the shithead venue lost out on a lot of revenue
It's difficult standing up; I wasn't sure if this promoter would just give up on me, call me a bitch or worst case be actually involved with the venue.
Last year alone, I kicked up a fuss for several performers in order to get paid at events including marching one promoter to a cashpoint.
Sadly, some of those performers have appeared for a second time at those shows; I wasn't rebooked (not sure I would have wanted to) but I wonder if those performers learnt anything at all or just have no self-worth?
If you let people walk over you, it will continue to happen. If you stand up, yes there will be some repercussions but I really believe you will begin to perform at better events, be taken more seriously (not having your name on the same well known bad show three times a year etc)
I'm rambling now, but final example. There is a new show in the north that due to loyalty to the promoter of another show in that city FK will not perform at. It was dirty tactics on behalf of the new promoter, bad politics and well direct lack of imagination for a new night. Its good pay, easy to get too but from what I hear poorly attended so probably not too much fun.
Some MOBers will think we're idiots for not just taking the money and doing the show. However, I really believe in developing relationships with performers, promoters in this industry and our favoured promoter is just too lovely to let down. Regardless, we know we'll perform for our promoter in the future, have an amazing night AND be supported by that event in return.
I would much rather be outspoken, ignored by the petty gigs, have a quieter schedule but ultimately less stress in my life.
Great thread Kittie
xx